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Instrumental
News
18 May 2022
Alexis Ffrench becomes ABRSM’s first artistic director
Harriet Clifford
News
18 May 2022
ABRSM comments on leaked letter of no confidence in IT infrastructure
Harriet Clifford
News
9 May 2022
One hundred pupils to feature in climate change composition performance
Hattie Fisk
News
6 May 2022
ABRSM publishes apology over exam booking chaos
Harriet Clifford
News
5 May 2022
‘I’m tearing my hair out’: Music teacher frustration over ABRSM exam booking
Harriet Clifford
Features
1 May 2022
Putting pencil to paper? Teaching composing in schools
Features
1 May 2022
Paul Clark interview: Ear Opener masterclasses in writing music
Harriet Clifford
Features
1 May 2022
Examining change: What is LCME doing to decolonise?
Roger Wilson
Features
1 May 2022
Beyond the fourth wall: Paraorchestra, performance, and inclusion
Clarissa Payne
Features
1 May 2022
Building on a legacy: HerStory piano collection
Hattie Fisk
Sponsored
Features
1 May 2022
‘My greatest personal achievement’: Yamaha Music Europe Foundation Scholarships
Features
1 May 2022
Stories through music: Manchester Camerata Hidden Histories
Hugh Morris
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