Menu
Home
News
Features
Opinion
Reviews
Q&A
Insights
Jobs
Subscribe
{ $refs.search.focus(); })" aria-controls="searchpanel" :aria-expanded="open" class="hidden lg:inline-flex justify-end text-gray-800 hover:text-primary border-b-4 border-transparent hover:border-primary py-2 px-4 lg:px-0 items-center text-xl font-bold">
Search
Search menu
Search
Search
Peripatetic Teaching
News
23 February 2022
Myleene Klass to host Music & Drama Education Awards 2022
Harriet Clifford
News
18 February 2022
New music teacher marketplace launches with aim of challenging ‘ridiculous fees’
Harriet Clifford
News
2 February 2022
Benedetti Foundation online sessions for instrumentalists return
Harriet Clifford
Features
1 February 2022
Simon Glenister interview: Capturing the noise at Noise Solution
Claire Roberts
Features
1 February 2022
Under construction: National Music Service for Wales
Glyn Hughes
Features
1 February 2022
Mend the gaps: Effective music hub partnerships
Yogesh Dattani
Features
1 February 2022
Early years music: mastery or dumbing down?
Emma Hutchinson
Other
1 February 2022
ISM Column: Where to next for music education?
Ruth McPherson
Features
1 February 2022
Promising arrangements: young composer competitions
Hattie Fisk
Other
1 February 2022
Ask Althea: Private music teaching advice column (no.1)
Althea Talbot-Howard
Other
1 February 2022
Mental health and wellbeing column: PERMAnent wellbeing in times of uncertainty
Sara Ascenso
News
1 February 2022
Training in trauma- and mental health-informed singing developed for teachers
Harriet Clifford
<
…
12
13
14
15
16
…
>
<
…
9
10
11
12
13
14
15
16
17
18
…
>